Classic Poetry Aloud

Donne read by Classic Poetry Aloud:
http://classicpoetryaloud.podomatic.com/

Giving voice to the poetry of the past.

This reading is part of Classic Poetry Aloud's celebration of one year of poetry podcasting (that's over 200 readings!). Donations to support Classic Poetry Aloud for another year would be welcome, just visit http://classicpoetryaloud.wordpress.com/ and click the 'PayPal Donate' button.

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Death
by John Donne

Death be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think'st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell'st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.

Whitman read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/

Giving voice to the poetry of the past.

This reading is part of Classic Poetry Aloud's celebration of one year of poetry podcasting (that's over 200 readings!). Donations to support Classic Poetry Aloud for another year would be welcome, just visit http://classicpoetryaloud.wordpress.com/ and click the 'PayPal Donate' button.

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O Captain! My Captain!

by Walt Whitman (1819 – 1892)

O CAPTAIN! my Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills;
For you bouquets and ribbon’d wreaths—for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head;
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won;
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

Elizabeth Barrett Browning
read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/

Giving voice to the poetry of the past.

This reading is part of Classic Poetry Aloud's celebration of one year of poetry podcasting (that's over 200 readings!). Donations to support Classic Poetry Aloud for another year would be welcome, just visit http://classicpoetryaloud.wordpress.com/ and click the 'PayPal Donate' button.

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How Do I Love Thee?
by Elizabeth Barrett Browning (1806–1861)

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints,—I love thee with the breath,
Smiles, tears, of all my life!—and, if God choose,
I shall but love thee better after death.

Shelley read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Ozymandias of Egypt
Percy Bysshe Shelley (1792 – 1822)

I met a traveller from an antique land
Who said:—Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

Dickinson read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The Grass so little has to do
by Emily Dickinson (1830 – 1886)

The Grass so little has to do –
A Sphere of simple Green –
With only Butterflies to brood
And Bees to entertain –

And stir all day to pretty Tunes
The Breezes fetch along –
And hold the Sunshine in its lap
And bow to everything –

And thread the Dews, all night, like Pearls –
And make itself so fine
A Duchess were too common
For such a noticing –

And even when it dies – to pass
In Odors so divine –
Like Lowly spices, lain to sleep –
Or Spikenards, perishing –

And then, in Sovereign Barns to dwell –
And dream the Days away,
The Grass so little has to do
I wish I were a Hay –

Munro read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Solitude
by Harold Munro (1879 – 1932)

When you have tidied all things for the night,
And while your thoughts are fading to their sleep,
You'll pause a moment in the late firelight,
Too sorrowful to weep.

The large and gentle furniture has stood
In sympathetic silence all the day
With that old kindness of domestic wood;
Nevertheless the haunted room will say:
"Someone must be away."

The little dog rolls over half awake,
Stretches his paws, yawns, looking up at you,
Wags his tail very slightly for your sake,
That you may feel he is unhappy too.

A distant engine whistles, or the floor
Creaks, or the wandering night-wind bangs a door

Silence is scattered like a broken glass.
The minutes prick their ears and run about,
Then one by one subside again and pass
Sedately in, monotonously out.

You bend your head and wipe away a tear.
Solitude walks one heavy step more near.

Thompson read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Envoy
by Francis Thompson

Go, songs, for ended is our brief, sweet play;
Go, children of swift joy and tardy sorrow:
And some are sung, and that was yesterday,
And some unsung, and that may be to-morrow.

Go forth; and if it be o'er stony way,
Old joy can lend what newer grief must borrow:
And it was sweet, and that was yesterday,
And sweet is sweet, though purchas-ed with sorrow.

Go, songs, and come not back from your far way:
And if men ask you why ye smile and sorrow,
Tell them ye grieve, for your hearts know To-day,
Tell them ye smile, for your eyes know To-morrow.

Wordsworth read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The World is too Much With Us
by William Wordsworth (1770 – 1850)

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers:
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
The Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.--Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.

Mew read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The Call
by Charlotte Mew (1869 – 1928)

From our low seat beside the fire
Where we have dozed and dreamed and watched the glow
Or raked the ashes, stopping so
We scarcely saw the sun or rain
Above, or looked much higher
Than this same quiet red or burned-out fire.
To-night we heard a call,
A rattle on the window-pane,
A voice on the sharp air,
And felt a breath stirring our hair,
A flame within us: Something swift and tall
Swept in and out and that was all.
Was it a bright or a dark angel? Who can know?
It left no mark upon the snow,
But suddenly it snapped the chain
Unbarred, flung wide the door
Which will not shut again;
And so we cannot sit here any more.
We must arise and go:
The world is cold without
And dark and hedged about
With mystery and enmity and doubt,
But we must go
Though yet we do not know
Who called, or what marks we shall leave upon the snow.

Lawrence read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Piano
by DH Lawrence (1885 – 1930)

Softly, in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.

In spite of myself, the insidious mastery of song
Betrays me back, till the heart of me weeps to belong
To the old Sunday evenings at home, with winter outside
And hymns in the cosy parlour, the tinkling piano our guide.

So now it is vain for the singer to burst into clamour
With the great black piano appassionato. The glamour
Of childish days is upon me, my manhood is cast
Down in the flood of remembrance, I weep like a child for the past.

Housman read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Loveliest of Trees
by AE Housman (1859 – 1936)

Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride,
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.

Whitman read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The Dalliance Of The Eagles
by Walt Whitman (1819 – 1892)

Skirting the river road, (my forenoon walk, my rest,)
Skyward in the air a sudden muffled sound, the dalliance of the eagles,
The rushing amorous contact high in space together,
The clinching interlocking claws, a living, fierce, gyrating wheel,
Four beating wings, two beaks, a swirling mass tight grappling,
In tumbling turning clustering loops, straight downward falling,
Till o'er the river pois'd, the twain yet one, a moment's lull,
A motionless still balance in the air, then parting, talons loosing,
Upward again on slow-firm pinions slanting, their separate diverse flight,
She hers, he his, pursuing.

Shelley read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The Moon
by Percy Bysshe Shelley (1792 – 1822)

I
And, like a dying lady lean and pale,
Who totters forth, wrapp'd in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The mood arose up in the murky east,
A white and shapeless mass.

II
Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,
And ever changing, like a joyless eye
That finds no object worth its constancy?

Emerson read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The Rhodora
by Ralph Waldo Emerson (1803 – 1882)

On Being Asked Whence Is the Flower

In May, when sea-winds pierced our solitudes,
I found the fresh Rhodora in the woods,
Spreading its leafless blooms in a damp nook,
To please the desert and the sluggish brook.
The purple petals, fallen in the pool,
Made the black water with their beauty gay;
Here might the red-bird come his plumes to cool,
And court the flower that cheapens his array.
Rhodora! if the sages ask thee why
This charm is wasted on the earth and sky,
Tell them, dear, that if eyes were made for seeing,
Then Beauty is its own excuse for being:
Why thou wert there, O rival of the rose!
I never thought to ask, I never knew:
But, in my simple ignorance, suppose
The self-same Power that brought me there brought you.

Wordsworth read by Classic Poetry Aloud:
http://classicpoetryaloud.podomatic.com/

Giving voice to classic poetry.

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London, 1802, Sonnet CCXIII
by William Wordsworth

Milton! thou shouldst be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,

Have forfeited their ancient English dower
Of inward happiness. We are selfish men:
O raise us up, return to us again;
And give us manners, virtue, freedom, power.

Thy soul was like a Star, and dwelt apart:
Thou hadst a voice whose sound was like the sea,
Pure as the naked heavens, majestic, free;

So didst thou travel on life's common way
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.

First read on Classic Poetry Aloud: 21 May, 2007

Flecker read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Opportunity
by James Elroy Flecker (1884 – 1915)

From Machiavelli

"But who art thou, with curious beauty graced,
O woman, stamped with some bright heavenly seal
Why go thy feet on wings, and in such haste?"

"I am that maid whose secret few may steal,
Called Opportunity. I hasten by
Because my feet are treading on a wheel,

Being more swift to run than birds to fly.
And rightly on my feet my wings I wear,
To blind the sight of those who track and spy;

Rightly in front I hold my scattered hair
To veil my face, and down my breast to fall,
Lest men should know my name when I am there;

And leave behind my back no wisp at all
For eager folk to clutch, what time I glide
So near, and turn, and pass beyond recall."

"Tell me; who is that Figure at thy side?"
"Penitence. Mark this well that by decree
Who lets me go must keep her for his bride.

And thou hast spent much time in talk with me
Busied with thoughts and fancies vainly grand,
Nor hast remarked, O fool, neither dost see
How lightly I have fled beneath thy hand."

Southey read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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His Books
by Robert Southey (1774 – 1843)

My days among the Dead are past;
Around me I behold,
Where'er these casual eyes are cast,
The mighty minds of old:
My never-failing friends are they,
With whom I converse day by day.
With them I take delight in weal
And seek relief in woe;
And while I understand and feel
How much to them I owe,
My cheeks have often been bedew'd
With tears of thoughtful gratitude.

My thoughts are with the Dead; with them
I live in long-past years,
Their virtues love, their faults condemn,
Partake their hopes and fears;
And from their lessons seek and find
Instruction with an humble mind.

My hopes are with the Dead; anon
My place with them will be,
And I with them shall travel on
Through all Futurity;
Yet leaving here a name, I trust,
That will not perish in the dust.

Kipling read by Classic Poetry Aloud:
http://classicpoetryaloud.podomatic.com/

Giving voice to classic poetry.

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The Way Through The Woods
by Rudyard Kipling

They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.

Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate.
(They fear not men in the woods,
Because they see so few)
You will hear the beat of a horse's feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods...
But there is no road through the woods.

First aired 16 July 2007

Shakespeare read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The Seven Ages of Man
from As You Like It by William Shakespeare (1564 – 1616)

All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms.
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

Shakespeare read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/

Giving voice to classic poetry.

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Sonnet 29
by William Shakespeare (1564 – 1616)

When in disgrace with fortune and men’s eyes
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featur’d like him, like him with friends possess’d,
Desiring this man’s art, and that man’s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee,—and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
For thy sweet love remember’d such wealth brings
That then I scorn to change my state with kings.

First aired 7 September, 2007

Shakespeare read by Classic Poetry Aloud:
http://classicpoetryaloud.podomatic.com/

Giving voice to classic poetry.

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Sonnet 18
by William Shakespeare

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance, or nature's changing course, untrimm'd;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest;
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

First aired 9 June 2007.

Shakespeare read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Mark Anthony’s Funeral Speech
from Julius Caesar by William Shakespeare (1564 – 1616)

Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,
And grievously hath Caesar answer'd it.
Here, under leave of Brutus and the rest--
For Brutus is an honourable man;
So are they all, all honourable men--
Come I to speak in Caesar's funeral.
He was my friend, faithful and just to me:
But Brutus says he was ambitious;
And Brutus is an honourable man.
He hath brought many captives home to Rome
Whose ransoms did the general coffers fill:
Did this in Caesar seem ambitious?
When that the poor have cried, Caesar hath wept:
Ambition should be made of sterner stuff:
Yet Brutus says he was ambitious;
And Brutus is an honourable man.
You all did see that on the Lupercal
I thrice presented him a kingly crown,
Which he did thrice refuse: was this ambition?
Yet Brutus says he was ambitious;
And, sure, he is an honourable man.
I speak not to disprove what Brutus spoke,
But here I am to speak what I do know.
You all did love him once, not without cause:
What cause withholds you then, to mourn for him?
O judgment! thou art fled to brutish beasts,
And men have lost their reason. Bear with me;
My heart is in the coffin there with Caesar,
And I must pause till it come back to me.

Shakespeare read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Sonnet 116
by William Shakespeare (1564 – 1616)

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.

Shakespeare read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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On Quoting Shakespeare
by Bernard Levin (1928 – 2004)
If you cannot understand my argument, and declare ``It's Greek to me'', you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.

from Macbeth
by William Shakespeare (1564 – 1616)

To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage

Vaughan read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The Retreat
by Henry Vaughan (1621 – 1695)

Happy those early days, when I
Shin'd in my Angel-infancy!
Before I understood this place
Appointed for my second race,
Or taught my soul to fancy aught
But a white celestial thought:
When yet I had not walk'd above
A mile or two from my first Love,
And looking back—at that short space—
Could see a glimpse of His bright face:
When on some gilded cloud, or flow'r,
My gazing soul would dwell an hour,
And in those weaker glories spy
Some shadows of eternity:
Before I taught my tongue to wound
My Conscience with a sinful sound,
Or had the black art to dispense
A several sin to ev'ry sense,
But felt through all this fleshly dress
Bright shoots of everlastingness.

O how I long to travel back,
And tread again that ancient track!
That I might once more reach that plain
Where first I left my glorious train;
From whence th' enlightned spirit sees
That shady City of Palm-trees.
But ah! my soul with too much stay
Is drunk, and staggers in the way!
Some men a forward motion love,
But I by backward steps would move;
And when this dust falls to the urn,
In that state I came, return.

Marvell read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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An Epitaph
by Andrew Marvell (1621 – 1678)

Enough; and leave the rest to Fame!
'Tis to commend her, but to name.
Courtship which, living, she declined,
When dead, to offer were unkind:
Nor can the truest wit, or friend,
Without detracting, her commend.

To say—she lived a virgin chaste
In this age loose and all unlaced;
Nor was, when vice is so allowed,
Of virtue or ashamed or proud;
That her soul was on Heaven so bent,
No minute but it came and went;
That, ready her last debt to pay,
She summ'd her life up every day;
Modest as morn, as mid-day bright,
Gentle as evening, cool as night:
—'Tis true; but all too weakly said.
'Twas more significant, she's dead.

Arnold read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Immortality
by Matthew Arnold (1822 – 1888)

(Mathew Arnold died on this day – 15 April – in 1888.)

Foil'd by our fellow-men, depress'd, outworn,
We leave the brutal world to take its way,
And, Patience! in another life, we say
The world shall be thrust down, and we up-borne.

And will not, then, the immortal armies scorn
The world's poor, routed leavings? or will they,
Who fail'd under the heat of this life's day,
Support the fervours of the heavenly morn?

No, no! the energy of life may be
Kept on after the grave, but not begun;
And he who flagg'd not in the earthly strife,

From strength to strength advancing - only he,
His soul well-knit, and all his battles won,
Mounts, and that hardly, to eternal life.

Verlaine read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Claire de Lune
by Paul Verlaine (1844 – 1896)

Votre âme est un paysage choisi
Que vont charmant masques et bergamasques
Jouant du luth et dansant et quasi
Tristes sous leurs déguisements fantasques.

Tout en chantant sur le mode mineur
L'amour vainqueur et la vie opportune
Ils n'ont pas l'air de croire à leur bonheur
Et leur chanson se mêle au clair de lune,

Au calme clair de lune triste et beau,
Qui fait rêver les oiseaux dans les arbres
Et sangloter d'extase les jets d'eau,
Les grands jets d'eau sveltes parmi les marbres.

Claire de Lune
by Paul Verlaine (1844 – 1896)

Your soul is a chosen landscape
Where charming masked and costumed figures go
Playing the lute and dancing and almost
Sad beneath their fantastic disguises.

All sing in a minor key
Of all-conquering love and careless fortune
They do not seem to believe in their happiness
And their song mingles with the moonlight.

The still moonlight, sad and beautiful,
Which gives the birds to dream in the trees
And makes the fountain sprays sob in ecstasy,
The tall, slender fountain sprays among the marble statues.

Dryden read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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How Sweet it is to Love
by John Dryden (1631 – 1700)

(John Dryden became Poet Laureate on this day – 13 April – in 1668.)

Ah, how sweet it is to love!
Ah, how gay is young Desire!
And what pleasing pains we prove
When we first approach Love's fire!
Pains of love be sweeter far
Than all other pleasures are.

Sighs which are from lovers blown
Do but gently heave the heart:
Ev'n the tears they shed alone
Cure, like trickling balm, their smart:
Lovers, when they lose their breath,
Bleed away in easy death.

Love and Time with reverence use,
Treat them like a parting friend;
Nor the golden gifts refuse
Which in youth sincere they send:
For each year their price is more,
And they less simple than before.

Love, like spring-tides full and high,
Swells in every youthful vein;
But each tide does less supply,
Till they quite shrink in again:
If a flow in age appear,
'Tis but rain, and runs not clear.

(first aired July 2007)

Marvell read by Classic Poetry Aloud:
http://classicpoetryaloud.podomatic.com/

Giving voice to classic poetry.

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To His Coy Mistress
by Andrew Marvell

Has we but world enough, and time,
This coyness, Lady, were no crime
We would sit down and think which way
To walk and pass our long love's day.
Thou by the Indian Ganges' side
Shouldst rubies find: I by the tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow;
An hundred years should go to praise
Thine eyes and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, Lady, you deserve this state,
Nor would I love at lower rate.

But at my back I always hear
Time's wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust:
The grave 's a fine and private place,
But none, I think, do there embrace.

Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapt power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.

Herrick read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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His Winding Sheet
by Robert Herrick (1591 – 1674)

Come thou, who are the wine and wit
Of all I've writ:
The grace, the glory, and the best
Piece of the rest.
Thou art of what I did intend
The all and end;
And what was made, was made to meet
Thee, thee, my sheet.
Come then and be to my chaste side
Both bed and bride:
We two, as reliques left, will have
Once rest, one grave:
And hugging close, we will not fear
Lust entering here:
Where all desires are dead and cold
As is the mould;
And all affections are forgot,
Or trouble not.
Here, here, the slaves and prisoners be
From shackles free:
And weeping widows long oppress'd
Do here find rest.
The wronged client ends his laws
Here, and his cause.
Here those long suits of Chancery lie
Quiet, or die:
And all Star-Chamber bills do cease
Or hold their peace.
Here needs no Court for our Request
Where all are best,
All wise, all equal, and all just
Alike i' th' dust.
Nor need we here to fear the frown
Of court or crown:
Where fortune bears no sway o'er things,
There all are kings.
In this securer place we'll keep
As lull'd asleep;
Or for a little time we'll lie
As robes laid by;
To be another day re-worn,
Turn'd, but not torn:
Or like old testaments engross'd,
Lock'd up, not lost.
And for a while lie here conceal'd,
To be reveal'd
Next at the great Platonick year,
And then meet here.

Flecker read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Gravis Dulcis Immutabilis
by James Elroy Flecker (1884 – 1915)

Come, let me kiss your wistful face
Where Sorrow curves her bow of pain,
And live sweet days and bitter days
With you, or wanting you again.

I dread your perishable gold:
Come near me now; the years are few.
Alas, when you and I are old
I shall not want to look at you:

And yet come in. I shall not dare
To gaze upon your countenance,
But I shall huddle in my chair,
Turn to the fire my fireless glance,

And listen, while that slow and grave
Immutable sweet voice of yours
Rises and falls, as falls a wave
In summer on forgotten shores.

Herbert read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Love
by George Herbert (1593 – 1632)

Love bade me welcome; yet my soul drew back,
Guilty of dust and sin.
But quick-eyed Love, observing me grow slack
From my first entrance in,
Drew nearer to me, sweetly questioning
If I lack'd anything.
'A guest,' I answer'd, 'worthy to be here:'
Love said, 'You shall be he.'
'I, the unkind, ungrateful? Ah, my dear,
I cannot look on Thee.'
Love took my hand and smiling did reply,
'Who made the eyes but I?'

'Truth, Lord; but I have marr'd them: let my shame
Go where it doth deserve.'
'And know you not,' says Love, 'Who bore the blame?'
'My dear, then I will serve.'
'You must sit down,' says Love, 'and taste my meat.'
So I did sit and eat.

Raleigh read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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The Pilgrimage
by Sir Walter Raleigh (1552 – 1618)

Give me my scallop-shell of quiet,
My staff of faith to walk upon,
My scrip of joy, immortal diet,
My bottle of salvation,
My gown of glory, hope's true gage;
And thus I'll take my pilgrimage.
Blood must be my body's balmer;
No other balm will there be given:
Whilst my soul, like quiet palmer,
Travelleth towards the land of heaven;
Over the silver mountains,
Where spring the nectar fountains;
There will I kiss
The bowl of bliss;
And drink mine everlasting fill
Upon every milken hill.
My soul will be a-dry before;
But, after, it will thirst no more.

Wordsworth read by Classic Poetry Aloud:
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Giving voice to the poetry of the past.

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Evening on Calais Beach
by William Wordsworth (1770 – 1850)

It is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o'er the sea:
Listen! the mighty Being is awake,
And doth with his eternal motion make
A sound like thunder—everlastingly.
Dear Child! dear Girl! that walkest with me here,
If thou appear untouch'd by solemn thought,
Thy nature is not therefore less divine:
Thou liest in Abraham's bosom all the year;
And worshipp'st at the Temple's inner shrine,
God being with thee when we know it not.

First aired June 28, 2007

Keats read by Classic Poetry Aloud:
http://classicpoetryaloud.podomatic.com/

Giving voice to classic poetry.

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Ode on a Grecian Urn
by John Keats

Thou still unravish'd bride of quietness,
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearièd,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore,
Or mountain-built with peaceful citadel,
Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul, to tell
Why thou art desolate, can e'er return.

O Attic shape! fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form! dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know.'

You can find more readings of Keats' poetry at:
http://classicpoetryaloud.wordpress.com/category/John-Keats/

Bridges read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Nightingales
by Robert Bridges (1844 – 1930)

Beautiful must be the mountains whence ye come,
And bright in the fruitful valleys the streams, wherefrom
Ye learn your song:
Where are those starry woods? O might I wander there,
Among the flowers, which in that heavenly air
Bloom the year long!

Nay, barren are those mountains and spent the streams:
Our song is the voice of desire, that haunts our dreams,
A throe of the heart,
Whose pining visions dim, forbidden hopes profound,
No dying cadence nor long sigh can sound,
For all our art.

Alone, aloud in the raptured ear of men
We pour our dark nocturnal secret; and then,
As night is withdrawn
From these sweet-springing meads and bursting boughs of May,
Dream, while the innumerable choir of day
Welcome the dawn.

Hopkins read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Spring
by Gerard Manley Hopkins (1844 – 1889)

Nothing is so beautiful as spring—
When weeds, in wheels, shoot long and lovely and lush;
Thrush’s eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightnings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue; that blue is all in a rush
With richness; the racing lambs too have fair their fling.

What is all this juice and all this joy?
A strain of the earth’s sweet being in the beginning
In Eden garden.—Have, get, before it cloy,
Before it cloud, Christ, lord, and sour with sinning,
Innocent mind and Mayday in girl and boy,
Most, O maid’s child, thy choice and worthy the winning.

Bradstreet read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Upon Some Distemper of Body
by Anne Bradstreet (1612 – 1672)

In anguish of my heart replete with woes,
And wasting pains, which best my body knows,
In tossing slumbers on my wakeful bed,
Bedrenched with tears that flowed from mournful head,
Till nature had exhausted all her store,
Then eyes lay dry, disabled to weep more;
And looking up unto his throne on high,
Who sendeth help to those in misery;
He chased away those clouds and let me see
My anchor cast i' th' vale with safety.
He eased my soul of woe, my flesh of pain,
and brought me to the shore from troubled main.

Owen read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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The Send-off
by Wilfred Owen (1893 – 1918)

Down the close, darkening lanes they sang their way
To the siding-shed,
And lined the train with faces grimly gay.
Their breasts were stuck all white with wreath and spray
As men's are, dead.

Dull porters watched them, and a casual tramp
Stood staring hard,
Sorry to miss them from the upland camp.
Then, unmoved, signals nodded, and a lamp
Winked to the guard.

So secretly, like wrongs hushed-up, they went.
They were not ours:
We never heard to which front these were sent.

Nor there if they yet mock what women meant
Who gave them flowers.

Shall they return to beatings of great bells
In wild trainloads?
A few, a few, too few for drums and yells,
May creep back, silent, to still village wells
Up half-known roads.

Browning read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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Home Thoughts, from Abroad
by Robert Browning (1812 – 1889)

O, to be in England
Now that April 's there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England—now!

And after April, when May follows,
And the whitethroat builds, and all the swallows!
Hark, where my blossom'd pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops—at the bent spray's edge—
That 's the wise thrush; he sings each song twice over,
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children's dower
—Far brighter than this gaudy melon-flower!

Herrick read by Classic Poetry Aloud:
http://www.classicpoetryaloud.com/
Giving voice to the poetry of the past.

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To Daffodils
by Robert Herrick (1591 – 1674)

Fair daffodils, we weep to see
You haste away so soon;
As yet the early-rising sun
Has not attain'd his noon.
Stay, stay
Until the hasting day
Has run
But to the evensong;
And, having pray'd together, we
Will go with you along.

We have short time to stay, as you,
We have as short a spring;
As quick a growth to meet decay,
As you, or anything.
We die
As your hours do, and dry
Away
Like to the summer's rain;
Or as the pearls of morn